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Gone Home is not a new game. Having initially released on PC back in 2013, it was part of the second major wave of “walking simulator” games, following in the footsteps of the brilliant Stanley Parable and the rather dull Dear Esther. I don’t use the term “walking simulator” pejoratively – much with any genre, walking simulator games have their own ups and downs, high points and low points, successes and failures. Unlike games heavy with gameplay mechanics, walking simulators have to stand on a tightly woven, intriguing, and well-told narrative. Unlike Metal Gear Solid V: The Phantom Pain, they can’t survive purely on how great it feels to shoot this guy or sneak into that enemy base.

The challenge for Fullbright’s first foray into games development, then, would be to create a story compelling and confident enough get players to forget the fact that they’re just moving from point A to point B and interacting with object X and object Y. Because when you boil the game down to those simplest of terms, that’s what Gone Home is. After playing the three hour experience in a single, entranced sitting, I can say that Fullbright did overcome their challenge.